BP-TV profile: The history of the 20th century in film
BP’s history is the history of the 20th century. For most of that time BP-TV has been a model for how...
Behind the scenes of the drp acquisition of HMX
The drp acquisition of HMX could make you think Dale Parmenter, founder and CEO of drp, would feel it’s time to...
Zing Productions profile: The budget’s on the screen
How much of your budget ends up in your content?It’s a key question for many comms professionals. Current options,...
The Edge Picture Company profile: Fighting for the audience
The Edge Picture Company is arguably the most influential production house of the past decade. Ranked top of the...
Jacaranda Productions is no more – but Psona Films lives on
It’s the end of an era in the brand film industry as the company that was Jacaranda Productions is...
Oracle Video Central: A growing in-house agency
In-house video teams are a barometer for enterprise video.Over time, they have passed in and out of fashion as...
Contra Films profile: Campaigns that make a difference
There’s a single-mindedness about Contra. You might not notice it at first as they don’t shout from the rooftops....
Casual Films go west
Casual Films have been building their business in the UK market for a few years now, gaining recognition with...
Agency profile EdComs: Video in education comes of age
Specialists in education
EdComs have a clear perspective on the value of moving images in comms because, in one sense,...
Media Zoo profile: A learning agency with a plan
If ever there was an agency with a plan, that agency is Media Zoo.Media Zoo’s powerhouse MD Rachel Pendered...
Agency profile Affixxius Films: Making it worth watching
That’s the question Affixxius Films ask themselves when making video content. For them it’s what matters above all else....
Litten and Fitzpatrick step down from Cheerful Twentyfirst
Peter Litten and Gary Fitzpatrick have sold their 37.9% stake and stepped down from Aeorema Communications, parent company of...
